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2012 unmarried past Taylor Swift

"We Are Never Ever Getting Dorsum Together"
A photograph of Swift wearing sunglasses, a white shirt and black shorts sitting on a grassland. Her name "Taylor Swift" is printed in white and the title "We Are Never Ever Getting Back Together" is printed in red, both are capitalized.
Unmarried by Taylor Swift
from the album Red
Released August xiii, 2012 (2012-08-xiii)
Studio
  • Conway (Los Angeles)
  • MXM (Stockholm)
Genre
  • Dance-popular
  • pop stone
  • bubblegum pop
  • electropop
  • electro-folk
Length 3:12
Label Big Motorcar
Songwriter(due south)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(s)
  • Max Martin
  • Shellback
  • Taylor Swift[1]
Taylor Swift singles chronology
"Both of The states"
(2012) 		"We Are Never Ever Getting Back Together"
(2012) 		"Begin Once again"
(2012)
Music video
"We Are Never Always Getting Dorsum Together" on YouTube

"We Are Never Ever Getting Back Together" is a song past American singer-songwriter Taylor Swift, taken from her fourth studio album, Cherry (2012). It was released for digital download and to U.Southward. popular radio as the lead unmarried from Scarlet on August 13, 2012, by Big Automobile Records. Swift wrote and produced the song with Max Martin and Shellback. An upbeat trip the light fantastic-pop and pop rock vocal, "We Are Never E'er Getting Back Together" contains pulsing synthesizers, processed guitar riffs, bass drums, and a spoken-word span. Its lyrics limited Swift's frustration with an ex-lover who wants to rekindle their relationship. An alternate version was released to U.S. country radio on Baronial 21, 2012.

Music critics praised the track for its tricky tune and radio-friendly audio, though some described its lyrics equally subpar for Swift's songwriting abilities. The vocal appeared in year-finish lists by Rolling Rock, Fourth dimension, and The Village Vocalism. "Nosotros Are Never Ever Getting Back Together" peaked atop the charts in Canada and New Zealand, and reached the elevation five in Commonwealth of australia, Republic of ireland, Israel, Japan, and the U.K. On the U.Due south. Billboard Hot 100, the single debuted at number 72 and rose to number ane the following calendar week, registering one of the biggest single-week jumps in nautical chart history. The single spent a record-breaking nine consecutive weeks topping the Hot Land Songs nautical chart, and received multi-platinum certifications in Australia, Nihon, New Zealand, and the U.S.

The music video for the song was released on August xxx, 2012. The accolades that "We Are Never Ever Getting Back Together" received include a Billboard Music Laurels for Top State Vocal, a Grammy Honor nomination for Tape of the Year, a CMT Music Award nomination for Best Music Video, and a People's Choice Award nomination for Favorite Vocal. Swift included the song on the gear up lists of three of her earth tours: the Cherry Bout (2013–14), the 1989 World Tour (2015), and Reputation Stadium Tour (2018). A re-recorded version of the song is featured on Ruby (Taylor's Version), Swift's 2021 re-recording of her 2012 anthology.

Background and release [edit]

Afterwards writing Speak At present (2010) entirely solo, Swift opted to collaborate with unlike songwriters and producers for Ruddy. Thus, she called Max Martin and Shellback, two songwriters and producers whose work she admired, to discuss a possible collaboration. The trio conceived the concept for "Nosotros Are Never Ever Getting Back Together" shortly subsequently a friend of Swift's ex-young man walked into the recording studio and spoke of rumors he heard that Swift and her former flame were reuniting. After the friend left, Martin and Shellback asked Swift to elaborate on the details of the relationship, which she described as "suspension up, get back together, intermission upwards, get back together, merely, ugh, the worst". When Martin suggested that they write about the incident, Swift began playing the guitar and singing, "Nosotros are never ever......", and the song flowed quickly after. She described the process as 1 of the most humorous experiences she had while recording, and said the musical partners matched her expectations. An audio prune of her sarcastically speaking about breakups tin can be heard before the final chorus.[2]

The single was the lead single from Red.[3] Swift premiered the single on August 13, 2012, during a live chat on Google+[4] with the vocal released on Google Play that twenty-four hour period[v] for digital download and to iTunes and Amazon.com the next day, August fourteen.[6] [7] A lyric video also premiered on Swift'due south official Vevo that same day.[viii] The song was released to Developed Contemporary radio stations on August 13, 2012[nine] and to mainstream radio stations the next day.[ten] The song was released to state radio on Baronial 21, 2012.[xi] The music video for the song premiered on August 30, 2012.[12] A limited edition individually numbered CD single was released to Swift'due south official store and Amazon.com on September 4, 2012. The limited edition CD single was packaged with a "We Are Never E'er Getting Dorsum Together" T-shirt and backpack.[thirteen] The CD single was also bachelor for private purchase.[xiv] The CD single was released exclusively to US Walmart stores the same day.[xv]

Composition and lyrics [edit]

The three-minute-and-twelve-second vocal[five] features electronic heavy production accompanied to acoustic guitars, a banjo, and a pop music vocal styling, a musical transition for Swift.[16] It was written in the key of Grand Major with a common time signature and a slow tempo of 80-6 beats per minute, with Swift's vocals spanning one octave and v notes, from G3 to Efive.[17] The rails features an audio-visual guitar (some of its sounds are reversed) and diverse synthesizers over an electronic drum beat out. The country radio release featured a different instrumental arrangement. The alternating mix replaced the guitar, drum machine, and synthesizers with a mandolin, fiddle, steel guitar and snare drums.[18] The song was written past Swift, along with Martin and Shellback.[eighteen] [19] The lyrics hash out Swift's frustration towards a former male lover who wants to rekindle their relationship. Jonathan Keefe of Camber Mag describes information technology as a bubblegum pop number[20] [21] while AllMusic categorized the song under the dance-pop genre.[22] James Lancho, reviewing the album Red called the vocal "sassy popular-rock in the mould of Katy Perry",[23] and Marc Hogan of Spin accounted the single "saucy electro-pop".[24] The New York Times dubbed it a "snarky electro-folk melody".[25]

Critical reception [edit]

Professional ratings
Review scores
Source Rating
Billboard 4.5/five[26]
Common Sense Media [27]
Digital Spy [28]
Rolling Stone [29]

Upon initial release, the song received positive reviews from music critics. Robert Myers of The Hamlet Vocalisation felt that the song, while "good", was "not Swift at her best" and speculated that the conclusion to release it equally a atomic number 82 single was made for commercial reasons: "I doubt 'Never E'er' is even close to being the best vocal on Red; it's a teaser, an indication to her fans of what's coming up. That sounds like commercial adding of the worst kind, simply I don't think it is. Swift'southward connection with her audience is possibly more important than her connexion with her boyfriends. And in that location is one brilliant impact: the spoken fleck that comes afterwards the middle viii."[30] Grady Smith of Entertainment Weekly drew comparisons with Avril Lavigne and praised the "undeniable, instantly catchy hook".[18] While describing the song every bit "joyous", he nevertheless expressed concern that the song's "juvenile sensibilities" marked a regression following Swift'southward work on Speak At present.[18] Jody Rosen of Rolling Stone noted that the song'south "hooks, plural, accept a zing that'southward more than Stockholm than Nashville. Just it's unmistakably Taylor: a witty relationship postmortem, delivered in inimitable girlie-girl patois. And this flake – "I'm just, I mean, this is exhausting. Like, we are never getting back together. Similar, ever" – might be the about sublime spoken-word interlude in popular since Barry White died."[29]

Marah Eakin of The A.V. Club commented on "what a good song it is": "With its thumping kick drum, clipped syncopation, and mildly snarky lyrics, it's a teen dream in the vein of Swift'southward other sing-forth jams like "Love Story" or "You Belong with Me."[31] Kevin Coyne of Country Universe gave the song a failing D grade, calling it a "huge pace astern".[32] James Montgomery of MTV felt the "fantastic" vocal may "stand for a turning point in her career ... Swift no longer has any interest in being the victim ... [She] displays a defiant, liberated streak". He noted that the song seemed "custom-crafted to dominate radio ... all shiny, silver guitars and walloping, whomping choruses".[33] Amy Sciarretto of Popcrush praised Swift for capturing a "universal feeling in an upbeat, empowering song" and described it equally "i of the catchiest tunes she's ever penned".[34] Jonathan Keefe of Camber Magazine described "the melodic hook" equally the vocal'south best attribute but criticized Swift'south "stilted phrasing". He described her vocal operation as a "complete misfire", pointing out that her voice was at its "most unpleasant and nasal". Yet, Keefe warned that information technology was "premature" to say the "full-on popular" song "signals anything more than a temporary breakup".[20] David Malitz of The Washington Post establish the song young and remarked, "the chorus is catchy but if this is representative of what awaits on Red, it'due south hard to be besides excited".[35] Glenn Gamboa of Newsday described information technology equally "anthemic in a slick pop mode, rather than her usual modern country way ... Part of T. Swizzle's charm is the way she makes her songs sound 18-carat and conversational and 'Never Ever' is no exception".[36] Billy Dukes of Gustation of Country stated that "[Swift] captures the acrimony of young dear gone wrong better than anyone since, well…[Taylor] Swift" and that the song'due south melody is "hard to encompass chop-chop."[37] Withal, Camille Isle of mann of CBS News considered the song to be "catchy".[38]

"We Are Never Always Getting Back Together" featured on 2012 yr-cease lists by Rolling Stone (second),[39] Fourth dimension (fourth),[40] The Guardian (fifth),[41] The Hamlet Vocalisation 's Pazz & Jop critics' poll (6th),[42] PopMatters (11th),[43] NME (24th),[44] and Event (40th).[45] The unmarried was named the 169th all-time song of 2010–2014 on Pitchfork's "The 200 Best Tracks of the Decade And so Far (2010-2014)" list.[46] It also received a Grammy nomination for Record of the Year for the 2013 Grammy Awards.[47] In 2019, Stereogum ranked the vocal as the 71st best song of the 2010s.[48] Rolling Rock ranked the song as the thirteenth-best female country song of the 2000s and 2010s.[49] The Tampa Bay Times ranked it 4th on their list of the best 2010s pop songs.[50]

Accolades [edit]

Year Arrangement Award/work Result Ref
2012 Guinness World Records Fastest Selling Single in Digital History Won [51]
2013 Academy of Land Music Awards Best Music Video Nominated [52]
Billboard Music Awards Superlative Streaming Song (Video) Nominated [53]
Top Land Vocal Won
BMI Awards Award-Winning Songs Won [54]
CMT Music Awards Video of the Yr Nominated [55]
Grammy Awards Tape of the Year Nominated [56]
MTV Video Music Awards Japan All-time Female person Video Nominated [57]
Best Pop Video Nominated
Best Karaoke Video Nominated
Much Music Video Awards International Video of the Year Nominated [58]
Myx Music Honor Favourite International Video Nominated [59]
Nickelodeon Kids' Choice Awards Favourite Vocal Nominated [sixty]
Argentina Nickelodeon Kids' Option Awards Favorite International Song Nominated [61]
People'southward Option Awards Favourite Song Nominated [62]
Radio Disney Music Awards Best Break Upwardly Song Won [63]
[64]
Sirius XM Holdings Awards International Video of the Year Nominated [65]
International Single of the Year Nominated
Teen Selection Awards Pick Intermission-Upward Song Nominated [66]
Choice Land Vocal Won
MTV Millennial Awards Hit Chicle del Año (Catchiest Hitting of the Twelvemonth) Won [67]
Hito Music Awards All-time Western Song Won [68]
2014 Globe Music Awards Earth'southward All-time Song Won [69]
World's All-time Video Nominated
ASCAP Awards Most Performed Song Won [70]
BMI Pop Awards Award-Winning Song Won [71]

Commercial performance [edit]

In the U.S., "We Are Never E'er Getting Dorsum Together" debuted at number 72 on the Billboard Hot 100 chart week ending August 25, 2012, based on two days of airplay.[72] Information technology rose to number ane the following week, registering ane of the biggest single-week jumps in chart history.[73] Giving Swift her start Hot 100 number ane, it fabricated Swift the country artist with the most top-x nautical chart entries (11, tying with Kenny Rogers).[74] It spent two consecutive weeks at number i[75] and was the first land song to spend three or more weeks at number one later Kenny Rogers's "Lady" (1980).[76] The single stayed in the elevation ten for xiii not-sequent weeks.[77] On the Radio Songs chart, "We Are Never Ever Getting Back Together" entered at number 25, the highest debut for a song by a female state artist.[78] It peaked at number three for three not-sequent weeks, giving Swift her 4th top-ten entry.[79] On the Hot Digital Songs chart, "We Are Never E'er Getting Dorsum Together" debuted at number one with first-calendar week sales of 623,000 digital copies in the week catastrophe September 1, 2012, setting a record for the fastest-selling digital single by a female artist in Billboard chart history.[notation i]

A black-and-white portrait of Connie Smith in 1960s hairstyle looking upwards

The single debuted at number 13 on the Hot Country Songs chart calendar week ending September one, 2012, based on airplay lone.[82] Afterward Billboard changed the methodology for the chart, incorporating digital sales and streaming into nautical chart rankings in add-on to airplay, "We Are Never Ever Getting Dorsum Together" ascended to number one for the chart dated October xx, 2012, giving Swift her seventh Hot Country Songs number 1.[83] This prompted industry debate over the status of Swift as a country artist, given that "We Are Never Always Getting Back Together" received lukewarm reception at country radio and never reached the top 10 of the Country Airplay chart, and was more than favorably received at popular radio.[84] It remained on the pinnacle spot of the Hot Land Songs for nine consecutive weeks, breaking the 8 consecutive weeks tape of Connie Smith's "In one case a Day" (1965) for the longest unbroken run at number one for a female person creative person.[85] The song spent a total of ten weeks at number 1,[86] a career best for Swift and a record for the longest-run at number ane for a female creative person.[note 2]

"Nosotros Are Never Ever Getting Back Together" peaked within the tiptop x of Billboard airplay charts including Developed Contemporary, where information technology reached number ten for seven non-sequent weeks,[89] Developed Top 40, where it reached number seven,[xc] and Mainstream Summit 40, where information technology peaked at number 2 for four non-sequent weeks.[91] Roughly two months after its release, the single surpassed ii million U.S. digital sales by September 2012, making Swift the get-go land artist two have six digital singles each sell over two million copies.[92] By July 2019, "We Are Never E'er Getting Back Together" had sold iv.one million copies in the U.S.[93] The Recording Industry Association of America (RIAA) certified the single half dozen times platinum, denoting six meg units based on sales and streaming.[94] In neighboring Canada, the single peaked atop the Canadian Hot 100, Swift's second number 1 following "Today Was a Fairytale" (2010).[95] Information technology was certified gold by Music Canada (MC).[96]

Exterior Due north America, "We Are Never Ever Getting Back Together" peaked atop the record nautical chart in New Zealand, where it was certified double platinum by Recorded Music NZ (RMNZ).[97] The single peaked within the top ten on charts in Israel (number 2),[98] Australia (number three),[99] Republic of ireland (number four),[100] the U.K. (number 4),[101] Norway (number half dozen),[102] Hungary (number ix),[103] and Kingdom of spain (number nine).[104] Information technology peaked at number eight on Euro Digital Song Sales, a Billboard nautical chart monitoring digital singles beyond Europe.[105] The track was certified platinum in Sweden and the U.K.,[106] [107] and five times platinum in Commonwealth of australia.[108] By October 2014, the single had sold over 616,000 digital copies in the U.K.[109] In Japan, "We Are Never Ever Getting Back Together" was a chart success, peaking at number ii on the Japan Hot 100 and remained on the chart until 2015, 3 years after its release.[110] The Recording Industry Association of Japan (RIAJ) awarded the unmarried a "One thousand thousand" certification for selling over i million digital copies.[111]

Music video [edit]

Background and release [edit]

A music video for the song premiered on CMT, MTV and TeenNick on August xxx, 2012, at 7:49 pm Eastern fourth dimension, and later on on MTV.com, CMT.com, and VH1.com the same day at 8:00 pm Eastern time. The video is directed by Declan Whitebloom, with whom Swift has worked on the music videos for both "Hateful" and "Ours".[12] The video was shot like a pop-up book using a Sony F65 CineAlta camera with Leica 25 mm Summilux-C lens in one continuous shot with no editing, and features five sets and Swift in equally many outfits.[112] Information technology is also the first music video to exist featured in 4K resolution.[113] According to Swift, she wanted the video to be as "quirky as the song sounds" and stated that "There'southward merely knitting everywhere; in that location's simply random woodland creatures popping up."[38] Prior to the video's release, a fourteen-second preview was released by CMT on their official YouTube on Baronial 30, 2012.[114] As of September 2021, it has over 674 million views on YouTube.[115]

Synopsis [edit]

The video, which is done as one continuous shot,[116] begins with Swift in colorful pajamas recounting the events of her off and on once more human relationship with her ex-boyfriend (played by Noah Mills). The video so segues into Swift going into her living room where her band is dressed upwardly in fauna costumes and Swift belts out the chorus of the song. The video then goes to a TV where Swift says "Like, e'er." and so to the dining room where we see she returns to recounting the events of her relationship and receives a phone call from her ex who is calling her from a nightclub. Swift hangs up on him and he walks off screen into the nightclub. It then goes to the 2 in a truck having an argument and so to them having a stroll in the park. Swift then runs off and we run across her on the phone telling the person on the other line how she and her ex are not getting back together and her frustration of their entire human relationship. The video so segues back to Swift's living room where a party is going on and her ex shows up unannounced trying to woo her dorsum and she slams the door in his face. The video ends with Swift on her window ledge where she was at the beginning of the video, singing the last line of the song.[117]

Reception [edit]

James Montgomery of MTV praised the video stating that the video is "truly a treat to watch".[118] Jim Farber of the New York Daily News comment on the video was that "[Swift'due south] tone and demeanor in the clip is conversational and sarcastic, ideally suited to simulating intimacy with her massive teen girl fan-base."[119] Carl Williott of Idolator commented on the video's content and stated "what more than could you ask for in a visual for a #1 pop smash?"[120] Rolling Stone chosen information technology "flinging stiff-willed sass".[121] David Greenwald of Billboard stated that the video "is a quirky commemoration that finds Swift singing and dancing with band members in animal costumes in between relationship flashbacks -- all filmed in an elaborate long shot. Swift wears large glasses and a pair of printed pajamas as she shrugs off her not-so-prissy ex-beau, a scruffy, seemingly older musician-blazon with a penchant for drama."[122]

Live performances [edit]

Swift performing "We Are Never Ever Getting Back Together" on the Red Tour in 2013

Swift performed the vocal alive for the first time at the 2012 MTV Video Music Awards on September vi, 2012, which was held at the Staples Center in Los Angeles.[12] [123] Swift was the final performance of the night and, wearing a scarlet and white striped shirt and black shorts, began her performance in an area resembling a recording studio earlier taking the stage along with her back-up singers, dancers and ring (in brute costumes) took the stage.[124] Swift besides performed the song live at the iHeartRadio Music Festival in 2012 and 2014. During her visit to Brazil, she performed the vocal on Goggle box Xuxa and during a concert in Rio de Janeiro on September xiii, 2012.[125] [126]

Swift performed the song on the British version of The Ten Factor on Oct xiv, 2012.[127] She performed the song on the German Telly show Schlag Den Raab.[128] On January 25, 2013, Swift performed "Nosotros Are Never Ever Getting Back Together" at the Los Premios 40 Principales in Spain.[129] The next day, she performed it in Cannes, France, during the NRJ Music Awards.[130] On February 10, 2013, Swift performed the song at the 2013 Grammy Awards, opening the ceremony. She performs the song on her Ruby Tour nightly as the finale. A rock version of the vocal was performed on The 1989 World Tour. More recently, the song was performed as a mashup with "This Is Why We Can't Have Nice Things" equally the finale on Swift's Reputation Stadium Tour. Swift performed the song on the iHeartRadio Wango Tango on June 1, 2019. On Dec 8, she performed an acoustic version of the song at Capital FM's Jingle Bong Ball 2019 in London.[131]

Parodies [edit]

The song and video were parodied by teddiefilms in the fashion of Breaking Bad. The parody, called "Nosotros Are Never Ever Gonna Melt Together," was uploaded to YouTube on October xviii, 2012.[132] The 22nd episode of Grey's Anatomy 's tenth flavor is titled "We Are Never Ever Getting Dorsum Together".[133] On September viii, 2012, YouTube star Shane Dawson, parodied the song, releasing a studio version[134] and a music video on his YouTube aqueduct.[135] Heaven News remixed portions of speeches past David Cameron to make information technology appear equally though he was reciting the chorus as promotion for their coverage of the 2014 Scotland Independence Plebiscite.[136]

Credits and personnel [edit]

Credits are adapted from the liner notes of the CD unmarried.[137]

  • Taylor Swift – atomic number 82 vocals, writer, producer, backing vocals
  • Max Martin – producer, author, keyboards
  • Shellback – producer, author, guitar, bass, keyboards, programming
  • Tom Coyne – mastering
  • Eric Eylands – assistant recording
  • Serban Ghenea – mixing
  • John Hanes – engineer
  • Sam Holland – recording
  • Michael Ilbert – recording
  • Tim Roberts – assistant engineer

Charts [edit]

Certifications and sales [edit]

Release history [edit]

"Nosotros Are Never Ever Getting Back Together (Taylor's Version)" [edit]

"We Are Never Ever Getting Back Together (Taylor'southward Version)"
Song by Taylor Swift
from the album Ruby (Taylor's Version)
Released November 12, 2021 (2021-eleven-12)
Genre
  • Trip the light fantastic toe-pop
  • popular rock
  • bubblegum pop
  • electropop
  • electro-folk
Length iii:13
Label Republic
Songwriter(s)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(s)
  • Christopher Rowe
  • Taylor Swift
  • Shellback
Lyric video
"Nosotros Are Never Always Getting Back Together (Taylor's Version)" on YouTube

Swift re-recorded "We Are Never Ever Getting Back Together", subtitled "(Taylor'southward Version)", for her 2nd re-recorded album, Red (Taylor's Version), released on November 12, 2021, through Commonwealth Records.[200]

Charts [edit]

See also [edit]

  • List of Billboard Hot 100 number-one singles of 2012
  • List of Billboard number-1 state songs of 2012
  • List of number-one digital songs of 2012 (U.S.)
  • List of Canadian Hot 100 number-i singles of 2012
  • List of number-one singles from the 2010s (New Zealand)

Footnotes [edit]

  1. ^ The record was broken by Adele's 2015 single "Hullo" (2015), which sold over 1.1 meg digital copies in its offset calendar week.[80] [81]
  2. ^ The record was cleaved past Bebe Rexha's "Meant to Be" (2017) featuring Florida Georgia Line, which spent 35 sequent weeks at number one.[87] [88]

References [edit]

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  3. ^ Wolff, Kurt (January 16, 2013). "Behind The Song: Taylor Swift 'We Are Never E'er Getting Dorsum Together'". CBS Local. Baltimore. Archived from the original on February ane, 2013. Retrieved January 16, 2013.
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Source: https://en.wikipedia.org/wiki/We_Are_Never_Ever_Getting_Back_Together

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